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Instead of storytelling by way of dialogue or standard animated character performing - expression as a result of the two overall body language and facial expression - Ofuji’s obfuscation of the figures, which only exist in this article as shadows, forces the movie to convey its which means by way of just entire body language and movement, composer Setsuo Tsukahara’s tense classical rating, and sound outcomes: crashing waves and thunder the strained groans of a sailing ship below duress and once in a while the laughter, screams, and incidental chatter of the ship’s inhabitants.<br><br><br><br> The creativity that was possible using confined animation was apparent in Gerald McBoing-Boing, a shorter about a boy cursed to converse only in audio effects. For his 1943 MGM brief Red Hot Riding Hood, he changed the script with just one of his signature fourth-wall breaks: Instead of a straight adaptation of the tale, the figures instantly discuss to the narrator and talk to for a new acquire. 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