Review: Divinity: Original Sin II
Original Sin II is an isometric PC RPG that plays beautifully with mouse and keyboard but also offers full controller support. Perhaps this was a result of how well the controller worked for Divinity: Original Sin Enhanced Edition on console or maybe just a preemptive move with plans for this to go to console, but either choice for control input works well. The music is beautifully composed and accompanies this fantasy setting splendidly, along with the impressive voice acting, and having this title be fully voiced was no small feat. The graphics will not push higher end graphics cards to the limit, but the design of characters, environments and monsters look great as do the cutscenes that possess a painting-like quality. The overall tone of Divinity: Original Sin II is dark and serious, but somehow manages to maintain an element of lighthearted fun and levity. There are a few humorous, sarcastic quip dialog options that pop up quite a bit and the Pet Pal talent can lead to a lot of interesting side quests and humorous dialog. The greatest moment of silliness is when the player enters stealth mode and assumes the form of a shrubbery walking around. While one probably wouldn't file this title under the humor section, it's clear the development team had a sense of humor while creating this.
After playing for a while in the Divinity Original Sin 2 , players will begin to accumulate minor potions once they are no longer effective in healing enough lost Vitality. Players can combine two Minor Healing Potions for a Medium Healing Potion. Combining two Medium Healing Potions will give the user a Healing Potion. Mixing two Healing Potions will create a Huge Healing Potion. This recipe could be useful when taking on some of the more difficult enemies and bosses in Divinity Original Sin 2 . Those playing an undead character can combine their Empty Potion Bottles with an Ooze Barrel to create a poisoned form of the item which heals the pla
On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, SLG Game Missions and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.
Set roughly a thousand years after the events of Divinity: Original Sin, the story begins with all the Origin characters along with the player and other NPCs on board a ship taking them to the prison island of Fort Joy, guilty of all being able to use the power of source like Rivellon's equivalent of a witch hunt. Source was declared an evil force, and all sourcerers have been rounded up and fitted with source muting collars to prevent them from unleashing their powers, which is quite a reversal of circumstances from its predecessor where the player took on the role of a source hunter. The time on the ship serves as an introduction, a way for the player to get comfortable with the mechanics of the slg Game units and get a sense of the story. They are free to explore the ship and get a feel for interacting with NPCs and combat. This sequence will end the same way regardless of the player's choices, and that end is unfortunately on Fort Joy, possibly the most ironically named place in Rivellon. Escaping from Fort Joy is the primary objective, but the speed at which this task is completing and how exactly the player goes about this is entirely up to the individual.
Origin characters are ready-made characters that have their own base personality and backstory. These characters include Beast, a dwarf who led a failed rebellion against the queen, Fane, an undead human who woke up with the world he knew long gone, Ifan ben-Mezd, a human who was a crusader who lost his faith and has become a Lone Wolf mercenary, Lohse, a star chanteuse whose body is now host to a mysterious entity who makes its presence known at inopportune times, The Red Prince, a brilliant warrior general who was exiled for cavorting with demons, and Sebille, an elf slave turned assassin who hunts her former master. While certain classes make more sense for these character's history, the player is free to change their build into whichever one they wish to play as. The Origin characters can also be recruited into the player's party, and their presence will activate origin events the player can engage in specific situations and they also open up certain dialog options. When recruiting them, changing their class is worked into the dialog so the player has a lot of customization options in their party. The player can also split up the party if they want to have someone do some sneaking around alone or divide the party into two groups of two, which is easily done by moving the portraits of the character in the upper left hand corner.