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The movie follows a ship as it is attacked by the eponymous whale and, subsequently, 1 of the survivors as she staves off assaults by her crew mates and evokes the do the job of Herman Melville, with its collisions of man’s vices and folly with titanic maritime everyday living, as well as the biblical tale of Jonah, as the survivors of the shipwreck are swallowed by the whale. Instead of storytelling by way of dialogue or standard animated character performing - expression as a result of the two overall body language and facial expression - Ofuji’s obfuscation of the figures, which only exist in this article as shadows, forces the movie to convey its which means by way of just entire body language and movement, composer Setsuo Tsukahara’s tense classical rating, and sound outcomes: crashing waves and thunder the strained groans of a sailing ship below duress and once in a while the laughter, screams, and incidental chatter of the ship’s inhabitants.<br><br><br><br> The creativity that was possible using confined animation was apparent in Gerald McBoing-Boing, a shorter about a boy cursed to converse only in audio effects. For his 1943 MGM brief Red Hot Riding Hood, he changed the script with just one of his signature fourth-wall breaks: Instead of a straight adaptation of the tale, the figures instantly discuss to the narrator and talk to for a new acquire. The small is the best amalgam of Averyisms, from meta-humor to pop-lifestyle references, to gags with people pulling objects out of slender air, to extremely stretchy and contorting bodies. The short went on to get an Academy Award and a Canadian Film Award. This resulted in intentionally flat but fantastically layered frames, each individual swirling layer of h2o or sky remaining distinctive even as the movie immediately moves into visible chaos. Realistic movement of the deer was a distinct target for the studio animator Eric Larson referred to its former animated animals as hunting "like significant flour sacks." 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