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Odenkirk skillfully navigates by an impediment course of genres and tones, as his Garden State-ish melancholia mercifully offers way to a noir-inflected secret that backlinks skinheads, Stacy Keach, a ring of jailhouse murders, and a newly contrived vacation with acceptable ridiculousness. Bob Odenkirk does some damn good do the job in this black comedy as Ray, an out-of-operate greeting-card writer so numbed by depression that he has to enjoy bum-fight DVDs just to truly feel a little something. His welcome to the Netflix spouse and children, a accurate match built in the Hallmark neighborhood of straight-to-movie hell, starts with a female-in-peril circumstance oddly widespread in titles promoted to black audiences: a decent Christian (Crystal Fox) finds a seemingly fantastic guy (Mehcad Brooks) who then werewolfs into a vow-breaking heathen. Katz arrived back meaner than ever with yet another black comedy pushing a properly-intentioned guy’s moral fiber to the breaking stage. The desaturated color scheme used to telegraph Ray’s bummed-out point out of brain wears on the nerves just after a several scenes, but that’s the sort of misstep a viewer forgives when the rest of the film - deft casting, writing that knows when to pull again - features as it ought to.



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