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Divinity Original Sin 2: The Top Crafting Recipes You Need To Know (編集)
2025年9月7日 (日) 15:27時点における版
、 2025年9月7日 (日)編集の要約なし
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<br> | <br>Set roughly a thousand years after the events of Divinity: Original Sin, the story begins with all the Origin characters along with the player and other NPCs on board a ship taking them to the prison island of Fort Joy, guilty of all being able to use the power of source like Rivellon's equivalent of a witch hunt. Source was declared an evil force, and all sourcerers have been rounded up and fitted with source muting collars to prevent them from unleashing their powers, which is quite a reversal of circumstances from its predecessor where the player took on the role of a source hunter. The time on the ship serves as an introduction, a way for the player to get comfortable with the mechanics of the [https://Loadofspace.CO.Uk/author/luisrhea906/ SLG game updates] and get a sense of the story. They are free to explore the ship and get a feel for interacting with NPCs and combat. This sequence will end the same way regardless of the player's choices, and that end is unfortunately on Fort Joy, possibly the most ironically named place in Rivellon. Escaping from Fort Joy is the primary objective, but the speed at which this task is completing and how exactly the player goes about this is entirely up to the individual.<br> <br>The player's character is a Sourcerer who has been captured by this organization and on a ship traveling to the island prison, Fort Joy. A humongous Voidwoken Kraken attacks, and then sinks the ship. The player survives and must now discover what destiny has in store for them by seeking out the Divine Or<br><br>The first Divinity: Original Sin offered almost unbridled freedom to the player, and it looks like the sequel is prepared to offer even more. Divinity: Original Sin II is designed to be played however the player wants. NPC conflicts can be handled by attempting to talk one's way out of trouble using the tag system, whether it be through charm, logic, or intimidation. Of course, the option to kill anyone in the game exists as well. Killing a quest giver might cause the player to miss out on an interesting quest, but they will still be able to complete the game. Even if every single NPC is sent to an early grave by the player's hand, it is still possible to complete the game. If a treasure box is out of reach teleportation or telekinesis are viable options. If a locked door is preventing your egress one can hunt for a key or if they have nimble fingers pick the lock. If neither of those options is feasible, bashing it down or setting it ablaze work just as well. This is not a game to hold your hand and instruct you what to do and how to do it. You will be given an objective and goal, and how you wish to achieve it will be determined by you.<br><br>Instead of being limited to being human, Divinity: Original Sin II gives the player the option to also be an elf, dwarf, lizard, or undead, though that last one which is personally the most interesting option is not presently available in the Early Access build. There are also optional origin stories that the player can use for their character, four are currently available but more will be included in the final release. Origin stories not selected by the player will be seen in NPCs met during the game that could join the party. These different origin stories add an extra dynamic to both single and multiplayer modes. Not all characters will have the same objectives they want to achieve, which can lead to some conflicts. With their being freedom to play the game any way a player decides, how conflicting goals among party members are addressed is entirely up to the player's imagination. This can be even more interesting in multiplayer, especially since the option to have four players simultaneously is now included. Playing with three other people who all have conflicting objectives can elevate the role playing element beyond what can be achieved in most video game RPGs.<br><br>The world of the sequel has also become much darker than the first time we visited it. The narrative is more grounded this time around, but with the Divine being dead and the Void growing things are much more desolate and dismal this time around, though with the greater emphasis on doom and gloom the distinct narrative voice we have come to know from Larian studios remains in place. In addition to the humans and humanoid races, information may also be gathered by communicating with spirits and animals. The battle engine will feel familiar to players of the original, though certain tweaks have been made such as the ability to combine elements such as fire and poison when one of those agents of death just doesn't seem like quite enough. Additionally, blessing and cursing areas can alter the very ground combat is taking place in, incurring bonuses or penalties to whoever sets foot in the effected area.<br><br>Things are a little bit different this time around. For starters, the Divinity: Original Sin **** II takes place over 1,000 years after the events of the original. The Divine is no more, and the Void is ever expanding and will consume the world if allowed to grow unchallenged. In addition to the great time gap between the two games, the role of the player in relation to the magical force known as Source has been completely flipped. No more are we engaged in a witch hunt but instead we step into the shoes of a Sourcerer and get to experience what being on the receiving end of said witch hunt feels like.<br> | ||