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<br>Resident Evil's G-Virus was essentially a fusion of various T-Virus samples and the Nemesis parasite that were tested on Lisa Trevor over many years. The various T-Virus samples in her body caused her immune system to kill the Nemesis parasite and fuse with it, resulting in the accidental birth of the mighty G-Virus, which Umbrella removed from <br><br> <br>This train of thought originates from the remake of Resident Evil 3, which was a painfully underwhelming successor to the phenomenal remake of Resident Evil 2. The latter was one of Capcom’s best games in years, ushering in a new era of survival horror brilliance that I was confident it would build upon. With the arrival of Resident Evil 3 and Village, it seems it is opting for an action-oriented approach that won’t risk alienating those who aren’t willing to negotiate with horror. It’s the smart move, but creatively, it feels like a hollow one. Resident Evil is at its weakest when the action ramps up, giving way to adequate gunplay instead of allowing its atmosphere and monsters to do the heavy lift<br><br>Hyrule is no longer a land  [https://Adventuregameland.com/posts/unveiling-temple-town-ruins-secrets-in-elden-ring-shadow-of-the-erdtree https://adventuregameland.Com/] of the unknown. We’ve explored it for literal days as we talked to citizens, tackled shrines, and eventually saved the world. People know who we are and what we’ve accomplished, so take advantage of that reputation and use it to shape the land in our image. Link shouldn’t be given a voice, but for a narrative set in the here and now to work his identity will need to be cemented in the surrounding landscape. I want to step back into reimagined versions of Zora’s Domain and Kakariko Village and be greeted with open arms by a populace who are happy to see me and perhaps want help with a few local issues as a larger conflict rages on in the background.<br>Despite Breath of the Wild being recognised as a masterpiece, its storytelling aspects are one of its most criticised elements. Given the nature of its narrative, and how Link finds himself awakening a century after the world began to fall apart, it’s natural that a number of critical characters have either perished, moved on, or just aren’t part of the picture anymore. It’s a lonely game, but deliberately so.<br><br>Princess Zelda is busy holding back Calamity Ganon in Hyrule Castle, locked in a state of immortality as she tries her best to save the land from ruin. You can either embark on a journey to recruit allies and reclaim the Divine Beasts or simply dick around for hundreds of hours. Ultimately, it’s up to you, and thus any sense of urgency tied to the plot is lost. Player agency is the most important thing here, so for better or worse, the story takes a backseat until you’re ready to tackle it. A number of main characters like Sidon, Riju, and Purah can be found across the game’s major cities, but they’re mostly passive. They’ll initiate cutscenes and dialogue to push the plot forward once you engage with them, but up to that point, they just sort of exist, rarely influencing the world until you decide to acknowledge they even exist.<br><br>However, I think the first game was a stark indicator that this isn’t a company playing by the rules anymore. Knowing this, I’m hopeful Breath of the Wild 2 will be the most narrative-heavy Zelda game we’ve ever seen, perhaps even superseding Skyward Sword and Twilight Princess with the amount of dialogue it’s willing to subject us to. As long as it’s in service of a wonderful story, I’m more than happy to sit back and sink in.<br><br>I’ll likely write an article defending Breath of the Wild’s use of flashbacks one of these days, but for now I want to focus on the sequel and how it should do away with them. The first game’s ending sees us return to the present day, with Link and Zelda embarking on another trip across the land to reunite with friends and mourn the loss of their loved ones. Things are returning to normality, at least until another threat emerges in Breath of the Wild 2 and once again throws everything into disarray. So when Calamity Ganon (or whoever is in that spooky cave) rears its head once again, I want the narrative that follows to take full advantage of the present day.<br><br> <br>This didn’t feel the same in Resident Evil 3 or Village, due to a forgiving focus on action and campaigns that were so short that you never had enough time to feel overwhelmed. You’re on a relatively linear track of varying locations and setpieces, meaning Ethan Winters and Jill Valentine never feel lost or alone amidst foreign circumstances. They’re also armed to the teeth, so zombies and werewolves that would feel like the end of the world to a normal civilian are little more than pesky obstacles to our unstoppable her<br><br>I’m worried that Breath of the Wild 2 likely won’t heed this advice, with Zelda being yeeted into a hole in the latest trailer and seemingly imprisoned as Link, Ganon, or whoever we end up playing as is tasked with saving her and freeing the realm. It’s far too early to draw conclusions about exactly how BOTW2 will play out, but it’s easy to assume that Nintendo will abide by series conventions and go for something safe.<br>
<br>[https://adventuregameland.com/posts/nintendo-s-unsung-heroes-the-finest-adventures-beyond-mario Nintendo Mascots] has built up a cast of beloved supporting characters, so expand upon them and make them matter. Age of Calamity did a solid job of this, although I wasn’t a fan of its more eccentric approach to storytelling - still, it’s a good blueprint to follow if the overall tone is given a few much-needed adjustments. Breath of the Wild was so compelling because of the mystery that defined it, each hesitant step into its sprawling world rewarding us with riches and a freeform experimentation in gameplay that nothing in the open world genre has been able to match since. It’s a marvel, and something the sequel should build upon as opposed to replicating with only a few key changes.<br><br> <br>Not long after the release of Resident Evil 3 Remake , speculation turned into rumors that Resident Evil 4 Remake was already in the works and would be released after Resident Evil 8 . The first rumors claimed that the remake had been in development since 2018 and that Capcom was planning to release the game in 2022. M-Two, who previously helped with Resident Evil 3 , is leading the development ccording to these rumors and will be supported by Capcom's internal Resident Evil 2 Remake and Devil May Cry V teams, giving the game a larger development team than both of the previous remak<br><br> <br>He’s one of the most iconic characters in video games, and Nintendo allowed us to shape him into something that represents us even if it goes against exactly how the canonical universe might have wanted it. All these years later, it remains one of the game’s strongest elements, and it seems Breath of the Wild 2 is not only expanding upon the potential for fashion, but providing the player with ample tools to make this version of Link into whoever or whatever they want. Obviously, I’m going off a brief reveal trailer, but there’s so much here to delve i<br><br> <br>The most obvious new addition is Link’s hair. This can change depending on certain outfits that are being equipped, particularly those that have our hero donning a mask or regional attire. But here, we see it flowing freely as he soars downward towards Hyrule, new airborne landmasses slowly coming into view as the true nature of this new adventure becomes apparent. We quickly shift back to vanilla Link, with his scruffy blonde hair pulled back into a ponytail so it doesn’t flop about in the w<br> <br>Announced for PlayStation 5, Xbox Series X, and PC, Resident Evil: Village is a next-generation exclusive and will launch in 2021. The game will be a direct sequel to Resident Evil 7: Biohazard and follows returning protagonist Ethan Winters as he's thrust into a brand new nightmare a few years after Ethan and Mia were rescued from the Baker family by Chris Redfield and Blue Umbrella . Longtime series protagonist Chris Redfield will also return for Resident Evil: Village , teased to be playing a potential villain role and sets off a new chain of events that land Ethan in a mysterious medieval village somewhere in Eur<br><br> <br>When Resident Evil 4 first released on Gamecube in 2005, it not only transformed the Resident Evil series into a third-person action game with horror elements, but Resident Evil 4 set the bar for quality game design and technological achievement for action-gaming at the t<br><br> <br>Now that it has been revealed that the Nemesis parasite has origins or links to the Las Plagas parasite, it's certainly possible that the Las Plagas parasites also helped create the G-Virus, which has many inclusions in various Resident Evil games. This more closely sews the Resident Evil 4 storyline strongly into the fabric of the Resident Evil universe and its hist<br><br>As much as I love them, flashbacks simply don’t facilitate an approach like this. They’re an elusive manner of storytelling by design, providing brief snapshots of memories as we’re left to fill in the blanks for ourselves. It informed the overall tone and thematic delivery of the last game, but now that enigmatic atmosphere has subsided, it’s time to commit to something more definitive.<br><br> <br>The plot of Resident Evil 4 is structured around rescuing the U.S. President's daughter, Ashley, from an evil cult in rural Spain. As a result, much of the gameplay deals in escorting Ashley through increasingly dangerous environments and rescuing her when she's inevitably captu<br> <br>It is also possible that Capcom could tune-down the action in comparison to the original, and create an experience more akin to the Resident Evil 3 Remake, or a unique experience that truly attempts to mend the survival horror and action genres in innovative ways. This could certainly put to rest the historical controversy among some die-hard Resident Evil fans over whether or not Resident Evil 4 took the series in the right direction or not, or whether Resident Evil 4 could still be considered a survival-horror ga<br><br>It’s heartbreaking, with Zelda’s increased trepidation as she marches towards oblivion reflected in her distrust of Link, an aura of royal pretentiousness that inevitably morphs into fondness over time. Link begins his journey as a knight tasked with watching over the princess, but eventually becomes a close friend she can confide in when everything seems lost. It’s powerful, and the fact something this emotionally resonant is told through the medium of discordant flashbacks is quite an accomplishment.<br>
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