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That San Lian must sign off on the document just before Jay receives a single thin Taiwanese dime is the capture on which this medley of blended-up emotions hinges. It’s an open spouse and children secret that patriarch Zheng Yuan (Spark Chen) has a visibly youthful male lover by the title of Jay (Roy Chiu) on the down-very low. His spouse San Lian (Hsieh Ying-hsuan) understands, their son Chengxi (Joseph Huang) understands, but regardless, they’re blindsided when Zheng Yuan dies and leaves anything in his will to Jay. Fuksas packs her film with loose signifiers (Nick’s assistant wears a barbed-wire garter as a type of flagellation) joined not by story, but by topic - an approach that leaves considerably up to open interpretation, a welcome roominess in the literalist planet of Netflix. And it is, kind of much of the script can take the form of a film-inside-a-movie, as upstart cineaste Yogita (Yogita Bihani, also as herself) trains her digital camera on the again-and-forth in between the dueling egomaniacs, sparked by Kashyap’s kidnapping of his nemesis’ son. Their postmodern pissing contest drives them equally to the brink of madness with Yogita nudging every single along, a comic trio in 3-element harmony. Taylor Swift embarks on her Eras Tour this spring.
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