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This, of training course, refers to the cruel clinical experiments carried out on prisoners all through that interval, and effectively compares Max to figures such as the notorious Nazi health practitioner Joseph Mengele. Unlike Max in The Night Porter, the characters that overtly deviate from heteronormative sexual exercise are not exceptions in a group of evidently ideologically committed fascists. In The Night Porter, the short glimpses of Max’s initial domination of Lucia, an illustration staying his chaining her up and simulating fellatio with his pointed fingers, and the seeming spontaneity of their article-war sexual enjoy offers no indication that the characters’ gratification is arrived at as a result of an arranged, ceremonial repetition of the effectiveness of particular dominant/submissive part-participating in scenarios. Whereas at the camps, Lucia’s liberation coincided with a disregard for masculine/female identities in a literal present of androgyny, when she is reunited with Max, her androgynous (masculine-dominant, female-submissive) characteristics are arguably communicated as a result of significantly less obvious units these as adaptable sadomasochistic job-participating in. Max, in its place of reacting with anger, basically reaches down to contact his hurt foot, ahead of displaying her his bloodied hand as a indication of his eager submissiveness. In an early scene, Von Starker presents a propagandistic presentation to a team of nude SS officers, showing slides of Jewish prisoners in (presumably pressured) incestuous sexual poses and other folks consuming excrement

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